Thursday, August 15, 2019

Energizing Students from Day One

          In this article in AMLE Magazine, teacher/consultant/author Rick Wormeli bemoans the fact that students’ eager and receptive frame of mind at the beginning of each school year is often deflated by the endless succession of going-over-the-rules, filling out forms, and stale getting-to-know-you activities. “Students grow increasingly disillusioned,” says Wormeli. “We’ve missed a golden opportunity for them to dive into the subject material with neurons firing on all thrusters. It’s probably the most significant time of the year to hardwire students’ minds to embrace our subjects, and we don’t want to miss it.”
            He recommends mixing mandatory stuff with lively activities, so students learn something new about your subject every day. Wormeli believes teachers need to develop a “diligent awareness” of their students as people, and suggests eight ways to do that:
            • What’s the best way you learn? On the first day of school, students jot down how they learn best in your subject area. Here are some comments Wormeli has received from students:
-   Give me lots of examples; I don’t get ideas without examples.
-   If you write it on the board, can I get a copy?
-   I need to see it, don’t just tell me.
-   Online assignments are a problem because my brother hogs our Internet connection.
-   Speak slowly; I get confused with a lot of noise and fast talking.
The medium might be index cards, a Google Doc, or individual e-mails.
            • Students write how they learn best, taking the role of their own parents – “Pseudonyms can be freeing,” says Wormeli. “Looking through the lens of how they think their mothers, fathers, or caregivers see them, students have deeper insights and are more honest.” They might bring up things like babysitting responsibilities, religious school schedules, or hobbies.
            • Asking parents – In 2003, educator Deb Bova came up with the idea of asking parents, “In a million words or less, tell me about your child.” With a touch of humor, this request recognizes parents as the prime experts on their children and opens the door for all kinds of insights that will help “dimensionalize” students for the teacher.
            • Interest surveys – Students might be asked about a favorite book from childhood; the farthest point they’ve traveled from home; a recent movie they enjoyed and why; favorite foods, music, and sports; organizations, teams, and clubs to which they belong; people they admire and why. 
            • Crowdsourced learner profiles – Some schools create a password-protected folder for each student, and teachers contribute insights over the course of the year – for example, the English teacher learns that a student is interested in dance, dirt bikes, and Fortnite; the physical education teacher learns about strong political views and a brother with muscular dystrophy. “If anything is truly confidential or private,” says Wormeli, “we can keep that in a separate folder housed in an alternative and secure location.”
            • Specific learning autobiographies – Ask students to tell the story of how they learned to read, or code, or play the drums, or speak Spanish, including the earliest and smallest moments. “Every time I’ve done this with students,” says Wormeli, “and no matter the subject I teach, I find out more about my students than I do from typical autobiographies.”
            • Six-word memoirs – This time-honored literary technique has strict rules: six words exactly! Some examples:
-   For sale: baby shoes, never worn. (Ernest Hemingway)
-   My greatest ideas involve duct tape.
-   Books. Music. That’s all I need.
-   Hobby became job. Seeking new hobby.
Students might write about how they feel about something important in their lives, how they felt last year as a student, as an American, or as part of their culture. Wormeli says the most interesting thing about six-word memoirs is how students elaborate on them.
            • Group tasks requiring problem-solving and collaboration – These might include building structures with playing cards, using 20 straws and 10 inches of masking tape to build the highest tower, or lining up in ascending order of birthdays without talking. “In each of these,” says Wormeli, “there’s a lot of give and take, problem-solving, initial frustration, listening (and not listening), risk-taking, leadership/follower behavior, and more.”
            (More next week on getting to know students throughout the school year)

“Getting to Know Our Students” by Rick Wormeli in AMLE Magazine, August 2019 (Vol. 7, #3, pp. 31-35), no e-link available; Wormeli is at rick@rickwormeli.onmicrosoft.com 

(Please Note: The summary above is reprinted with permission from issue #797 of 
The Marshall Memo, an excellent resource for educators.)

Thursday, August 8, 2019

"A Talk to Teachers" by James Baldwin

(Delivered October 16, 1963, as “The Negro Child – His Self-Image”; originally published in The Saturday Review, December 21, 1963, reprinted in The Price of the Ticket, Collected Non-Fiction 1948-1985, Saint Martins 1985.)

Let’s begin by saying that we are living through a very dangerous time. Everyone in this room is in one way or another aware of that. We are in a revolutionary situation, no matter how unpopular that word has become in this country. The society in which we live is desperately menaced, not by Khrushchev, but from within. To any citizen of this country who figures himself as responsible – and particularly those of you who deal with the minds and hearts of young people – must be prepared to “go for broke.” Or to put it another way, you must understand that in the attempt to correct so many generations of bad faith and cruelty, when it is operating not only in the classroom but in society, you will meet the most fantastic, the most brutal, and the most determined resistance. There is no point in pretending that this won’t happen.

Since I am talking to schoolteachers and I am not a teacher myself, and in some ways am fairly easily intimidated, I beg you to let me leave that and go back to what I think to be the entire purpose of education in the first place. It would seem to me that when a child is born, if I’m the child’s parent, it is my obligation and my high duty to civilize that child. Man is a social animal. He cannot exist without a society. A society, in turn, depends on certain things which everyone within that society takes for granted. Now the crucial paradox which confronts us here is that the whole process of education occurs within a social framework and is designed to perpetuate the aims of society. Thus, for example, the boys and girls who were born during the era of the Third Reich, when educated to the purposes of the Third Reich, became barbarians. The paradox of education is precisely this - that as one begins to become conscious one begins to examine the society in which he is being educated. The purpose of education, finally, is to create in a person the ability to look at the world for himself, to make his own decisions, to say to himself this is black or this is white, to decide for himself whether there is a God in heaven or not. To ask questions of the universe, and then learn to live with those questions, is the way he achieves his own identity. But no society is really anxious to have that kind of person around. What societies really, ideally, want is a citizenry which will simply obey the rules of society. If a society succeeds in this, that society is about to perish. The obligation of anyone who thinks of himself as responsible is to examine society and try to change it and to fight it – at no matter what risk. This is the only hope society has. This is the only way societies change.

Now, if what I have tried to sketch has any validity, it becomes thoroughly clear, at least to me, that any Negro who is born in this country and undergoes the American educational system runs the risk of becoming schizophrenic. On the one hand he is born in the shadow of the stars and stripes and he is assured it represents a nation which has never lost a war. He pledges allegiance to that flag which guarantees “liberty and justice for all.” He is part of a country in which anyone can become president, and so forth. But on the other hand he is also assured by his country and his countrymen that he has never contributed anything to civilization – that his past is nothing more than a record of humiliations gladly endured. He is assumed by the republic that he, his father, his mother, and his ancestors were happy, shiftless, watermelon-eating darkies who loved Mr. Charlie and Miss Ann, that the value he has as a black man is proven by one thing only – his devotion to white people. If you think I am exaggerating, examine the myths which proliferate in this country about Negroes.

All this enters the child’s consciousness much sooner than we as adults would like to think it does. As adults, we are easily fooled because we are so 1 anxious to be fooled. But children are very different. Children, not yet aware that it is dangerous to look too deeply at anything, look at everything, look at each other, and draw their own conclusions. They don’t have the vocabulary to express what they see, and we, their elders, know how to intimidate them very easily and very soon. But a black child, looking at the world around him, though he cannot know quite what to make of it, is aware that there is a reason why his mother works so hard, why his father is always on edge. He is aware that there is some reason why, if he sits down in the front of the bus, his father or mother slaps him and drags him to the back of the bus. He is aware that there is some terrible weight on his parents’ shoulders which menaces him. And it isn’t long – in fact it begins when he is in school – before he discovers the shape of his oppression.

Let us say that the child is seven years old and I am his father, and I decide to take him to the zoo, or to Madison Square Garden, or to the U.N. Building, or to any of the tremendous monuments we find all over New York. We get into a bus and we go from where I live on 131st Street and Seventh Avenue downtown through the park and we get in New York City, which is not Harlem. Now, where the boy lives – even if it is a housing project – is in an undesirable neighborhood. If he lives in one of those housing projects of which everyone in New York is so proud, he has at the front door, if not closer, the pimps, the whores, the junkies – in a word, the danger of life in the ghetto. And the child knows this, though he doesn’t know why.

I still remember my first sight of New York. It was really another city when I was born – where I was born. We looked down over the Park Avenue streetcar tracks. It was Park Avenue, but I didn’t know what Park Avenue meant downtown. The Park Avenue I grew up on, which is still standing, is dark and dirty. No one would dream of opening a Tiffany’s on that Park Avenue, and when you go downtown you discover that you are literally in the white world. It is rich – or at least it looks rich. It is clean – because they collect garbage downtown. There are doormen. People walk about as though they owned where they are – and indeed they do. And it’s a great shock. It’s very hard to relate yourself to this. You don’t know what it means. You know – you know instinctively – that none of this is for you. You know this before you are told. And who is it for and who is paying for it? And why isn’t it for you?

Later on when you become a grocery boy or messenger and you try to enter one of those buildings a man says, “Go to the back door.” Still later, if you happen by some odd chance to have a friend in one of those buildings, the man says, “Where’s your package?” Now this by no means is the core of the matter. What I’m trying to get at is that by the time the Negro child has had, effectively, almost all the doors of opportunity slammed in his face, and there are very few things he can do about it. He can more or less accept it with an absolutely inarticulate and dangerous rage inside – all the more dangerous because it is never expressed. It is precisely those silent people whom white people see every day of their lives – I mean your porter and your maid, who never say anything more than “Yes Sir” and “No, Ma’am.” They will tell you it’s raining if that is what you want to hear, and they will tell you the sun is shining if that is what you want to hear. They really hate you – really hate you because in their eyes (and they’re right) you stand between them and life. I want to come back to that in a moment. It is the most sinister of the facts, I think, which we now face.

There is something else the Negro child can do, to. Every street boy – and I was a street boy, so I know – looking at the society which has produced him, looking at the standards of that society which are not honored by anybody, looking at your churches and the government and the politicians, understand that this structure is operated for someone else’s benefit – not for his. And there’s no reason in it for him. If he is really cunning, really ruthless, really strong – and many of us are – he becomes a kind of criminal. He becomes a kind of criminal because that’s the only way he can live. Harlem and every ghetto in this city – every ghetto in this country – is full of people who live outside the law. They wouldn’t dream of calling a policeman. They wouldn’t, for a moment, listen to any of those professions of which we are so proud on the Fourth of July. They have turned away from this country forever and totally. They live by 2 their wits and really long to see the day when the entire structure comes down.

The point of all this is that black men were brought here as a source of cheap labor. They were indispensable to the economy. In order to justify the fact that men were treated as though they were animals, the white republic had to brainwash itself into believing that they were, indeed, animals and deserved to be treated like animals. Therefor it is almost impossible for any Negro child to discover anything about his actual history. The reason is that this “animal,” once he suspects his own worth, once he starts believing that he is a man, has begun to attack the entire power structure. This is why America has spent such a long time keeping the Negro in his place. What I am trying to suggest to you is that it was not an accident, it was not an act of God, it was not done by wellmeaning people muddling into something which they didn’t understand. It was a deliberate policy hammered into place in order to make money from black flesh. And now, in 1963, because we have never faced this fact, we are in intolerable trouble.

The Reconstruction, as I read the evidence, was a bargain between the North and South to this effect: “We’ve liberated them from the land – and delivered them to the bosses.” When we left Mississippi to come North we did not come to freedom. We came to the bottom of the labor market, and we are still there. Even the Depression of the 1930’s failed to make a dent in Negroes’ relationship to white workers in the labor unions. Even today, so brainwashed is this republic that people seriously ask in what they suppose to be good faith, “What does the Negro want?” I’ve heard a great many asinine questions in my life, but that is perhaps the most asinine and perhaps the most insulting. But the point here is that people who ask that question, thinking that they ask it in good faith, are really the victims of this conspiracy to make Negroes believe they are less than human.

In order for me to live, I decided very early that some mistake had been made somewhere. I was not a “nigger” even though you called me one. But if I was a “nigger” in your eyes, there was something about you – there was something you needed. I had to realize when I was very young that I was none of those things I was told I was. I was not, for example, happy. I never touched a watermelon for all kinds of reasons that had been invented by white people, and I knew enough about life by this time to understand that whatever you invent, whatever you project, is you! So where we are no is that a whole country of people believe I’m a “nigger,” and I don’t , and the battle’s on! Because if I am not what I’ve been told I am, then it means that you’re not what you thought you were either! And that is the crisis.

It is not really a “Negro revolution” that is upsetting the country. What is upsetting the country is a sense of its own identity. If, for example, one managed to change the curriculum in all the schools so that Negroes learned more about themselves and their real contributions to this culture, you would be liberating not only Negroes, you’d be liberating white people who know nothing about their own history. And the reason is that if you are compelled to lie about one aspect of anybody’s history, you must lie about it all. If you have to lie about my real role here, if you have to pretend that I hoed all that cotton just because I loved you, then you have done something to yourself. You are mad.

Now let’s go back a minute. I talked earlier about those silent people - the porter and the maid – who, as I said, don’t look up at the sky if you ask them if it is raining, but look into your face. My ancestors and I were very well trained. We understood very early that this was not a Christian nation. It didn’t matter what you said or how often you went to church. My father and my mother and my grandfather and my grandmother knew that Christians didn’t act this way. It was a simple as that. And if that was so there was no point in dealing with white people in terms of their own moral professions, for they were not going to honor them. What one did was to turn away, smiling all the time, and tell white people what they wanted to hear. But people always accuse you of reckless 3 talk when you say this.

All this means that there are in this country tremendous reservoirs of bitterness which have never been able to find an outlet, but may find an outlet soon. It means that well-meaning white liberals place themselves in great danger when they try to deal with Negroes as though they were missionaries. It means, in brief, that a great price is demanded to liberate all those silent people so that they can breathe for the first time and tell you what they think of you. And a price is demanded to liberate all those white children – some of them near forty - who have never grown up, and who never will grow up, because they have no sense of their identity.

What passes for identity in America is a series of myths about one’s heroic ancestors. It’s astounding to me, for example, that so many people really appear to believe that the country was founded by a band of heroes who wanted to be free. That happens not to be true. What happened was that some people left Europe because they couldn’t stay there any longer and had to go someplace else to make it. That’s all. They were hungry, they were poor, they were convicts. Those who were making it in England, for example, did not get on the Mayflower. That’s how the country was settled. Not by Gary Cooper. Yet we have a whole race of people, a whole republic, who believe the myths to the point where even today they select political representatives, as far as I can tell, by how closely they resemble Gary Cooper. Now this is dangerously infantile, and it shows in every level of national life. When I was living in Europe, for example, one of the worst revelations to me was the way Americans walked around Europe buying this and buying that and insulting everybody – not even out of malice, just because they didn’t know any better. Well, that is the way they have always treated me. They weren’t cruel; they just didn’t know you were alive. They didn’t know you had any feelings.

What I am trying to suggest here is that in the doing of all this for 100 years or more, it is the American white man who has long since lost his grip on reality. In some peculiar way, having created this myth about Negroes, and the myth about his own history, he created myths about the world so that, for example, he was astounded that some people could prefer Castro, astounded that there are people in the world who don’t go into hiding when they hear the word “Communism,” astounded that Communism is one of the realities of the twentieth century which we will not overcome by pretending that it does not exist. The political level in this country now, on the part of people who should know better, is abysmal.

The Bible says somewhere that where there is no vision the people perish. I don’t think anyone can doubt that in this country today we are menaced – intolerably menaced – by a lack of vision.

It is inconceivable that a sovereign people should continue, as we do so abjectly, to say, “I can’t do anything about it. It’s the government.” The government is the creation of the people. It is responsible to the people. And the people are responsible for it. No American has the right to allow the present government to say, when Negro children are being bombed and hosed and shot and beaten all over the Deep South, that there is nothing we can do about it. There must have been a day in this country’s life when the bombing of the children in Sunday School would have created a public uproar and endangered the life of a Governor Wallace. It happened here and there was no public uproar.

I began by saying that one of the paradoxes of education was that precisely at the point when you begin to develop a conscience, you must find yourself at war with your society. It is your responsibility to change society if you think of yourself as an educated person. And on the basis of the evidence – the moral 4 and political evidence – one is compelled to say that this is a backward society. Now if I were a teacher in this school, or any Negro school, and I was dealing with Negro children, who were in my care only a few hours of every day and would then return to their homes and to the streets, children who have an apprehension of their future which with every hour grows grimmer and darker, I would try to teach them - I would try to make them know – that those streets, those houses, those dangers, those agonies by which they are surrounded, are criminal. I would try to make each child know that these things are the result of a criminal conspiracy to destroy him. I would teach him that if he intends to get to be a man, he must at once decide that his is stronger than this conspiracy and they he must never make his peace with it. And that one of his weapons for refusing to make his peace with it and for destroying it depends on what he decides he is worth. I would teach him that there are currently very few standards in this country which are worth a man’s respect. That it is up to him to change these standards for the sake of the life and the health of the country. I would suggest to him that the popular culture – as represented, for example, on television and in comic books and in movies – is based on fantasies created by very ill people, and he must be aware that these are fantasies that have nothing to do with reality. I would teach him that the press he reads is not as free as it says it is – and that he can do something about that, too. I would try to make him know that just as American history is longer, larger, more various, more beautiful and more terrible than anything anyone has ever said about it, so is the world larger, more daring, more beautiful and more terrible, but principally larger – and that it belongs to him. I would teach him that he doesn’t have to be bound by the expediencies of any given administration, any given policy, any given morality; that he has the right and the necessity to examine everything. I would try to show him that one has not learned anything about Castro when one says, “He is a Communist.” This is a way of his learning something about Castro, something about Cuba, something, in time, about the world. I would suggest to him that his is living, at the moment, in an enormous province. America is not the world and if America is going to become a nation, she must find a way – and this child must help her to find a way to use the tremendous potential and tremendous energy which this child represents. If this country does not find a way to use that energy, it will be destroyed by that energy

Wednesday, August 7, 2019

Can Speech-Recognition Apps Improve Struggling Students' Writing?

          In this article in Language Arts, Betsy Baker (University of Missouri/Columbia) says that as a second-grade teacher, she was a big fan of the language experience approach; she took dictation of students’ stories and this motivated them to express themselves and share their personal experiences and linguistic and cultural heritage. As speech-recognition apps became more accurate, Baker wondered if they might take the place of the teacher transcribing students’ writing, saving time and motivating students.
In this article, she describes serving as a teacher’s aide in charge of the writing center in a first-grade classroom of 22 students in a diverse Title I school. From January to May, Baker experimented with using speech-recognition apps (Siri and Dragon on students’ iPads) to develop students’ writing skills, spending the most time with students who were having difficulty. She launched the initiative using the following steps:
-   Baker recited a poem with which students were familiar, Mary Had a Little Lamb, and they chimed in.
-   Baker said the poem aloud as she wrote it on chart paper.
-   She modeled launching a speech-recognition app on an iPad and reading the poem aloud, with students looking over her shoulder to see if the app correctly transcribed her words (it did).
-   Baker invited each small group of students at the writing center to analyze the poem’s syncopation (they bobbed their heads) and the fact that snow rhymed with go.
-   She then asked students to write a similar poem about a different animal and owner, and worked with them to come up with a poem about Gary who had a little toad whose skin was green with slime, and everywhere that Gary went the toad would jump behind.
-   She spoke the new poem into the speech-recognition app, and students watched as the words magically appeared on the iPad; she then copied the new poem on chart paper.
-   Baker then invited students to orally brainstorm their own versions of Mary Had a Little Lamb, and they wrote stories about Victoria and her little dog, Jada and a small turtle, Sponge Bob and a monster bike, etc. Students worked with pencil and paper, and then spoke their poems using the speech-recognition app.
-   In the months that followed, students composed variations of Five Little Monkeys; Row, Row, Row Your Boat; Brown Bear, Brown Bear, What Did You See?; It Looked Like Spilt Milk; and narratives in which students chose their own topics, settings, and characters.
Baker found that this approach was highly motivating for students, and they used words like limousine, dandelion, and unicorn. Interestingly, on days when the school’s Wi-Fi was down and the speech-recognition app wasn’t accessible, students reverted to less-ambitious words like car, flower, and horse. “Speech recognition apps,” says Baker, “appeared to allow students to use their rich personal oral lexicons and cultural funds of knowledge to express themselves.” An end-of-year inventory revealed that students had greatly increased their sight vocabularies, and half of the words they knew were not in standard first-grade vocabulary lists.
            In the course of this project, says Baker, students had to deal with inaccurate transcriptions by the app. There were also times when the app would come up with inappropriate words – for example, hell instead of hill and worse (there wasn’t a child-safety feature). Baker worried at first that this would undermine the process, but found that errors actually got students reading the transcriptions of their writing more carefully, frequently engaging in word analysis and talking with classmates and their teachers about whether words made sense and were spelled correctly.
            Another glitch was that students would think up elaborate stories, launch the speech-recognition app, and forget the story – and by the time they’d recalled it, the app had timed out. The app was also not very clever at dealing with students’ false starts, repetitions, side comments, long pauses, and laughter. It turns out that planning and dictating a story is a specialized literacy skill that students needed to master – including rehearsing stories before activating the app, speaking slowly and clearly, and doing the editing on a hard copy. Students found it difficult to handle the app features allowing users to italicize, boldface, underline, and indent, and sometimes accidentally deleted entire compositions. It was difficult for students to access a separate rhyming dictionary, and the speech-recognition app didn’t accommodate students’ illustrations or make it easy to import stock illustrations from the Internet.
            On balance, though, Baker endorses the use of speech-recognition apps as one tool for young writers because of the way the app can stretch their written vocabularies and get them composing more creatively and fluently. With the proper teacher support and instruction, the limitations and glitches of the app can actually enhance students’ sense-making and critical reading skills.

“Talk to Read and Write: Using Speech-Recognition Apps in a First-Grade Writing Center” by Betsy Baker in Language Arts, July 2019 (Vol. 96, #6, pp. 358-369), https://bit.ly/2SOiSTC; Baker can be reached at bakere@missouri.edu.

(Please Note: The summary above is reprinted with permission from issue #796 of 
The Marshall Memo, an excellent resource for educators.)

Recommended Books of Poetry for Children

          In this article in Language Arts, Grace Enriquez, Erika Thulin Dawes, and Mary Ann Cappiello (Lesley University), Katie Egan Cunningham (Manhattanville College/Purchase), and Gilberto Lara (University of Texas/San Antonio) list their favorite books of poetry for children published in 2018. All the books, they say, have “a palpable sense of wonder, comfort, hope, and awe regarding the world in which we live.”
I Am Loved by Nikki Giovanni, illustrated by Ashley Bryan (Atheneum)
A Bunch of Punctuation selected by Lee Bennett Hopkins, illustrated by Serge Bloch (WordSong)
Can I Touch Your Hair?: Poems of Race, Mistakes, and Friendship by Irene Latham and Charles Waters, illustrated by Sean Qualls and Selina Alko (Carolrhoda)
Vivid: Poems & Notes About Color written and illustrated by Julie Paschkis (Henry Holt)
Hidden City: Poems of Urban Wildlife by Sarah Grace Tuttle, illustrated by Amy Schimler-Safford (Eerdmans)
Seeing Into Tomorrow, Haiku by Richard Wright, biography and illustrations by Nina Crews (Millbrook)
Imagine by Juan Felipe Herrera, illustrated by Lauren Castillo (Candlewick)
Jabbberwalking written and illustrated by Juan Felipe Herrera (Candlewick)
World Make Way: New Poems Inspired by Art from the Metropolitan Museum of Art edited by Lee Bennett Hopkins (Abrams)
The Stuff of Stars by Marion Dane Bauer, illustrated by Ekua Holmes (Candlewick)
The Poetry of US: More Than 200 Poems That Celebrate the People, Places, and Passions of the United States edited by Patrick Lewis (National Geographic)
Voices in the Air: Poems for Listeners by Naomi Shihab Nye (Greenwillow)

“2018 Notable Poetry Books for Children” by Grace Enriquez, Erika Thulin Dawes, Mary Ann Cappiello, Katie Egan Cunningham, and Gilberto Lara in Language Arts, July 2019 (Vol. 96, #6, pp. 390-399), https://bit.ly/2K4vPpH

(Please Note: The summary above is reprinted with permission from issue #796 of 
The Marshall Memo, an excellent resource for educators.)